Monday, September 28, 2026

runoff

rain comes different when i leave my windows open

and the expectant air finds the paper cranes faded

from sunlit drives gone by. rain leaves the bridge to my house

washed out, gone. i know we both take a different path

down the mountain, past the kids and their shovels grinding

into the dirt. i lace my boots again. “no questions

about the future,” i tell them. it’ll come soon enough.


i put on my big raincoat and its purple blinders

to trot down that cobblestone street but the rain doesn’t

leave the smell it used to. john and his blue umbrella

didn’t give me a fifth year even though i carried

my hot-pink sanctuary until the trestles snapped.


are the gutters clogged yet? is the rain barrel full?

are you sure you’ll still be here when it all turns to snow?

Wednesday, September 16, 2026

Full Moon

Full moon replete with fireworks says there’s some hope left, as we recount

slights with flaming logs and now-empty cans circled close. That fall

from my bike left me a scar above my hip, still there, not yet white

like the one on my lips. There were no kisses. We shoved

grapes in our mouths by the dozen and spluttered them out

for another Auld Lang Syne, another folk song spinning out

in a circle. I keep singing the ones you showed me, less and less

together as it goes. In day we skated the meadows, the ice

cracked in ridges. “I’ve never been inside an icefishing hut,”

I said. The sky was blue like my boxy sundress, and our hands got cold.

New Moon

New blue moon you

linger above. Year

beginning with my nails

bitten and throat

raspy. I ask

you to call

and I sit

as breadcrumbs fall

into eddies

and understory

by the rebuilt culvert.

Wednesday, September 9, 2026

Self Portrait with Matching Shovel

A pair of West Virginia

barns and boots

plus a near-white sky eating

the tin roof. Half

of Rebecca and her flannel matching

handle and pants. Siren lights,

sumac, inflammation.

Twin subjects of matching stature

while the grass drops

below them, stalks

and strands holding

dirt removed for flame.

Child with bangs and a blue

hat I know what this union

holds. Flickering

dinners, younger ones,

and a beard you’ll never grow.

 

based on a photo of me at age 4 which is available upon request 

Wednesday, March 11, 2026

Metro Reel

Melanie ducked through the doors of the metro, careful to hold her violin case in front of her to avoid any bumps. The oppressive cold of Montrรฉal had abated somewhat now that it was March. On this comparatively balmy Tuesday, Melanie found herself leaving the house in a long plaid skirt and a grey cashmere sweater, her brown hair in two hasty braids.  She settled into a seat and stared past her fellow passengers into some middle space. The train snaked through the tunnel.

            “Prochaine Station Place-Saint-Henri” offered the smooth voice over the intercom. Despite it being her second year in Montrรฉal, Melanie still barely spoke French. She could get through customer service interactions, usually order what she meant to, and navigated the metro more by memory than any sense of understanding. Being a conservatory student gave her more than enough to practice and memorize, and she couldn’t find it in herself to do much else. Everyone was always talking about the language of music, but it wasn’t a particularly useful one in this city.

            “Prochaine Station Lionel-Groux” prompted Melanie to refocus her gaze and grip her case tighter. She was always enamored with the way the metro moved and the smooth connections between cars that allowed her to get totally lost at the edge of what her eyes could make out. She exited the train, switched lines, and rode the four subsequent stops to school. She arrived at her first class, found her usual seat, and was immediately accosted by Ryan, who was already mid-sentence before she sat down.

            “-knew you wouldn’t. And you didn’t, so I was right,” he finished, glancing at her expectantly from his seat next to hers. Saying hello wasn’t Ryan’s way. This was his issue in music too – he always started the piece too fast.

            “Say that again? Also, good morning.”

            “Yeah, yeah good morning, you totally stood us up last night. Sarah was really sad,” he offered, nearly all in one breath. Sarah liked to joke he was wasting his lung capacity as a pianist. She probably wasn’t that sad, though.

            “Oh. Yeah. Sorry. Should have texted,” Melanie mumbled as she reached into her backpack for a notebook.

“Yeah, you should’ve, we barely managed to find a third, we had to go with Sarah’s friend who didn’t know anything about anything at all.” Melanie knew that Ryan wasn’t really upset, but she still felt a twinge of guilt. As she paged open her notebook, she pondered the previous night spent alone in her room studying. They’d invited her out at lunch the day before, but she had those pieces to review. Never mind that they only took her two passes through each and she was done before 10.

Ryan settled down, and the class passed in a blur. Theory and Analysis 3 was exactly as bland as the name would suggest. A compositional form being common to the 18th century didn’t make it interesting, but Melanie was still required to know its name and be able to recognize and replicate it in a vacuum. She had spent a lot of hours studying the midterm and would spend many more cooped up in the library before the final. If that was what it took to get a degree in classical violin, so be it.

            After class, she found a practice room to warm up in before her lesson. She tuned, played through a few scales, and reviewed the piece she’d been assigned. Her limbs worked through the motions carefully, precisely, each finger right where it needed to be, each note perfectly translated from page to air. Her movements were smooth, and her face was placid.

            At her lesson, her instructor didn’t have any notes.

            “Well done,” he said. “That’s a difficult piece.” He was in his 40s or so and had a tight beard that was gradually becoming less blond. Melanie knew that meant the praise he gave.

            “Thank you,” she replied. She barely remembered how what she just played had gone, but it was up to standards. That’s what mattered. That’s what had always mattered to everyone else.

            “I’ll send you something for next time,” her instructor said. “I want to find something with pizzicato. It’s been a while and you need to stay sharp.” Melanie didn’t mind, but what she was staying sharp for was hard to say. Orchestra wasn’t hard, and her lessons were technical but uncomplicated.

            With that, her lesson ended and she began her journey home. On longer days she would wander stunned into the metro station after three classes, private lesson, and orchestra practice. She would miss her stop and ride until the line ended, swaying.

She lived in a tiny apartment on Sherbrook above a crepe shop. There were always four or so guys behind the counter, and only two or three customers, so she was about 90% sure it was a front. It made her apartment smell nice, though. She unlocked the door, set her violin on the table, and lay down on the couch. She had a piece to memorize for orchestra tomorrow, and the sheet music taunted her from its stand in front of the window. Its rigid staves and flowing clef that was always the same stared at her as she drifted off to sleep.

            The next day was Saturday, but Melanie, along with Sarah and Ryan, had been asked to help audition some prospective students. Melanie showed up on time in her concert blacks, hair carefully pinned back. Ryan waved at her from the audience, and as she walked over, Sarah smiled. They exchanged hellos, and Melanie put her things down and went to check in with the professor running the auditions. Upon her return to her seat, Sarah and Ryan were engrossed in a crossword on Sarah’s laptop.

            “Melanie! Rare bird: O blank blank I blank Y,” Sarah prompted. Sarah was a lot like a bird, with wiry limbs and a high-pitched voice. Melanie thought for a moment.

            “No clue, sorry,” she resigned. “I’m not very good at those.”

            Over the course of the afternoon, a string of students took the stage. Sarah or Ryan always had something to say.

            “Wow she’s nervous. Can barely sit still,” offered Ryan about a blond pianist who somehow still had braces.

            “You would think he’s never heard a metronome in his life,” said Sarah, referring to a scruffy cellist.

Melanie kept quiet, keeping her marks to herself. A missed note here, a lack of finesse there, but she didn’t get personal the same way as her classmates. Sometimes it felt like she was the only one who remembered being a freshman, even though she was at the top of her class. As they were leaving the concert hall, Sarah invited her to trivia that night. She said yes and promised that this time she really would make it.

She spent the remainder of her day trying to focus elsewhere. She spent a few hours watching TV, and another whole hour just sitting in the crepe shop downstairs. Knowing she would be early but wanting to leave the house, she walked out the door and down the busy avenue to the metro. It was just three stops to the bar. It wasn’t a large venue, only six booths in a ring around a handful of smaller tables. It had a dusky air to it, and not many college students went, but Sarah was especially crazy about trivia. She had a schedule of every bar with a trivia night within half an hour of her apartment and made her rounds on a weekly basis.

            Tonight was quiet so far. Three men sat in the far corner. A few more had been smoking outside. And there was one man, sitting alone at a table, with an open case at his feet and a violin in his hands. Melanie walked to the bar, ordered her dinner, and sat two tables over from him.

            The man was stocky, older, perhaps 60, and had a very white beard and moustache. The beard was short, rounded, and neither well-trimmed nor unkempt. He had a raggedy baseball cap, a half-smile, a flannel, and a half-drunk beer. As Melanie watched, he began to play. She didn’t recognize the piece, something with a fast, jumping, melodic tempo. He played with beautiful economy of motion, each finger slowly moving into place, each draw of the bow as smooth as a raindrop running down a window. The tune furled and unfurled around him at a pace that seemed far beyond his body. Melanie couldn’t say how long he played for, but when he finished, she realized she was staring.

            “What’s your name, miss?”

            “Melanie”

            “That’s a lovely name.”

He then began a slow tune which, if she had been thinking of such things, Melanie would have recognized as being in 3/4. The tune had a melancholy to it but swelled to new heights after the resolution of each phrase. Melanie found herself moving with the music, head swaying and a foot slowly tapping. When he finished with a drawn-out note, she found her eyes were wet.

            “That was beautiful.” She was smiling. He nodded.

            “That one’s called Melanie’s Waltz. I learned it once upon a time in Texas.

            “That’s really very sweet,” she stammered out. “What’s your name?”

            “I’m Tom,” he said, and pulled at his beard a bit. “I’m this pub’s self-appointed fiddler. I’m here playing most days, and when they get someone else in, I’m here to listen. What brought you in the door?”

            “I was supposed to meet some friends from conservatory for trivia,” she said. At the mention of conservatory, his eyebrows raised. “I’m a classical violinist,” she continued. Each sentence felt like work to her, her brain still swirling with the beauty of his song.

            “Well, I’m sure you could tell me ten ways what I just played was wrong then,” he chuckled.

            “No! Not at all.” As Melanie spoke, her phone began to ring.

“Sorry, let me get this. Hello? … Yeah, I’m here. Where’re you? ... Oh! Okay I’ll be there soon, save me a seat… Yeah, bye.” She glanced up at Tom, a little stunned.

“Everything alright?”

“Yeah, turns out I’m in the wrong place. My friends. I’ve got to go but, uh, would you be willing to give me that first song? Do you have a chart?”

            “No charts. I could teach you though. Come back sometime, any time, with your instrument.” He had put his fiddle back in the case and took a deep sip of his beer.

            “I will. I definitely will,” she said, putting on her coat. “Goodbye Tom!”

            “Goodbye, Melanie. It was lovely to meet you.” He waved as she walked out the door.

Melanie’s head wasn’t really on trivia that night, and it wasn’t really focused on her classes the next morning. The first tune he had played was swirling in her head, and she was constantly trying to remember pieces of it. It was stuck in a way nothing from her lessons had ever been. In orchestra, she made a rare error, mixing some of the song into her solo. Her conductor reprimanded her afterwards for her lack of practice.

            Over the next few weeks, Melanie went back to the bar whenever she could. Tom was always waiting, with a pint of beer and a new tune or two to teach her. She mentioned it to Sarah once, who told her it was a waste of her time. It certainly wasn’t easy for her. She could play all the notes, but Tom stubbornly refused to use charts.

            “You don’t feel the music that way,” he would say. “A chart is a way to detach yourself from it.” She had a suspicion that he was making some of the tunes up on spot, but they were still just as beautiful. On the last day she’d see him, he encouraged her to do the same.

            “But how?” she asked.

            “Simple, just play what you feel. Surely you’ve got a note or two in that brain of yours.” He looked at her expectantly. She felt frozen. Of course she had notes, it was her whole profession to have notes, but none of them felt important enough.

            “Just put your bow on your strings,” he said. “Your hand’ll figure it out.”

            “I don’t think it will.” She looked down. “You can just come up with something any time you like, but I just don’t work like that.”

            He didn’t say anything, just looked at her and took another sip of his beer.

            “I can’t do it!” she said. She put her violin back in its case and closed it.

            “Alright, I’ll see you next time then,” he offered.

            “Sure, next time.” She walked out the door.

            It would be a week before Melanie would go back. It was finals week, she told herself, and she needed to stay focused. When she finally did return, Tom wasn’t there. The bartender’s face fell as she walked in the door.

            “Hey Melanie,” she said.

            “Hey, what’s up?”

            “Tom’s dead. He got hit by a car on Tuesday and died in the hospital. I’m really, really sorry.”

            Melanie couldn’t answer. She turned and ran out the door, ran into the cold, ran down the street past every bar-goer and their cigarette, past the trash and the busses, and down the stairs onto the metro. She fumbled swiping her card, taking three tries to finally get the turnstile doors to open. As she walked down the second stairs, a train was just pulling in with a soft hiss. She boarded and sat.

            The train picked up speed again, rocking gently. There wasn’t anyone near her, but she wouldn’t have noticed. Her eyes blurred as she pulled her fiddle from its case. As each fresh batch of tears worked their way down her face, she began to play. Standing in the middle of the empty car, she played like she never had before. She was scared when she started. She was scared in a way she had never been scared to play before. She had a stake in it. She cared about the music more than she possibly could’ve before. She played what Tom had played that first night, and she played something else entirely. Her music was blisteringly paced, carefully metered, and echoed down the long train as it stretched into the tunnels. Melanie played to the end of the line.


Monday, February 2, 2026

ranking delivery vehicles - postal chronicles #1

introduction 

this summer (and winter) break, i worked as a rural mail carrier for the united states postal service. there are a lot of interesting stories to tell about this job, and i hope to make my way through them on this blog. to begin, i'm going to provide my opinions on the different vehicles i have delivered mail and packages. 

there are several important factors to consider when rating a postal vehicle. as a result, i've developed the following five metrics:

  1. comfort: does it have ac/heat? does it have a speaker? is it really loud? and so on.
  2. mail/SPR delivery:  is it right hand drive? is there a mail tray? how are the windows? (SPR stands for small parcels and rolls)
  3. package delivery: how smooth are dis/re-mounts? how much cargo space is there? can you access (or at least see) the packages when you're in the front? what are the doors like?
  4. handling: how's the acceleration? traction? cornering? how're the mirrors and/or backup camera?
  5. juice: anything else that can't be described via another metric.


LLV/FFV

the grumman long-life vehicle is the classic postal truck, at least in my home town. it is, as of right now, the most used postal delivery vehicle in the country. they are profoundly old, having first entered service in 1986, and were manufactured until 1994

  1. i fear the llv straight up looses this category. maybe it had functional ac when it was first manufactured, but it certainly doesn't now. this truck is an oven, and i am a baked potato in 90ยบ heat. i don't think i've ever been as hot for as long as i was on a few days this summer. i knew it was bad because i would get out and be glad about how much cooler it was. does it have heat? also no. she's not very well insulated and doesn't have good air movement. she generates too much heat in summer, but nowhere near enough in winter. additionally, the llv has no onboard sound system, leading me to bring a bluetooth speaker which would often die before the end of the day. on top of that, it's absurdly loud. imagine everything rattling around forever. if that wasn't enough, the inside gets really dusty because there are open vents and all the whole dirt road comes right in. the seat is fine i guess, although the seatbelt is somewhat uncomfortable, and the ergonomics of the controls are ok.
  2. despite its failure in the first category, the llv does very well in this category and sets a gold standard. it has a big adjustable mail tray, a big window at a good height, and it's right hand drive. the side profile of the llv makes it very easy to get close to a mailbox, and it's built like a tank in case you slide into one (yes that happens a lot in the winter.).
  3. the llv is also quite good at package delivery. it's the only vehicle with a door between the back and front, which is a crazy huge advantage. you can kind of fit any number of imaginable packages into it, and the shelves are solid despite being absurdly noisy. there's space up front for packages in addition to my bag and mail. the dismounts/remounts, however, are not very good. the door is solid, but the movement in/out is awkward. the seat belt is hard to get on sometimes, as the lap belt gets caught. sometimes the back door is horrible but that's usually not an issue.
  4. she's so sluggish. i can't blame her, she's old as hell. she doesn't corner well either. she is a tank though, and people expect you to be going slow. the mirrors are sexy (i love you front left pot mirror) but don't provide great view when backing up. no backup camera or rear window to speak of. she is the best of any vehicle in the snow, but that's not saying much. carriers at my office would joke about ramming their LLVs into mailboxes on accident because it's just that easy to slip in the snow.
  5. it is impossible to describe how sexy the LLV steering wheel is. it's smooth, it's thin, it feels good to turn, it's just the best. she's also just by far the most iconic vehicle, and driving her fulfills my postal cosplay fantasy, or at least as close as i can get without a uniform (uniforms are sadly only for city carriers).

 

metris


 

the mercedes-benz metris is really just a van. the post office leased a bunch of them to replace LLVs, and they've been around longer than they were supposed to. it's a contemporary vehicle though, and it's rankings very much depend on that.

  1. the metris wins this category easily. it has exceptional ac and heat, a sound system that immediately connects on startup, and is smooth and quiet. the seat is pretty comfy too.
  2. at a small scale, the metris is alright for mail and SPRs. it is right hand drive and has a mail tray, but the mail tray is rather low and small. for a short route like the one i was usually doing it was pretty lovely, but it doesn't scale well. the windows are at a sort of odd height, and the mirror is really easy to ram into a mailbox.
  3. mounts/dismounts are good, and the sliding door usually feels nice, but the metris falls short in this category. you can't access packages from the front, and there's no space up front or in the back. again, for a small route it's good but if you're doing anything serious it tends to get in the way. for doing just amazon it's ok, for amazon and mail it kind of sucks. it's kinda awesome to do everything in one smooth motion though.
  4. in summer, she's great. beautiful acceleration and cornering. mirrors are lovely, and the backup camera is beautiful. she can't handle snow or mud at all though. 
  5. if you're in good conditions, the metris is the cushiest vehicle ever. otherwise, you'll be struggling a bit. it's kind of cute how her door gets covered in paint from every mailbox door.


promaster

  

(this is my moving van)

the ram promaster is also just a van, but it's a bigger van than the llv. these are mainly for city carriers, and i technically never drove one of them as i wasn't trained on them. however, at the end of the summer i was given a chance to drive one of these when i rented a van from uhaul to move into my new apartment. funnily enough, when i returned in the winter the office had rented a van from uhaul and i got to drive that as well for package delivery.

  1. the promaster is pretty comfortable. it has good ac/heat. the speaker is somewhat medicore, as it takes a long time to reconnect. it's a quiet drive though, and the cabin is cozy. 
  2. i only did package deliver, so i can't speak to mail delivery. i imagine it would be good for city route nd kind of extremely annoying for a rural route.
  3. it's kind of high off the ground, but there is a lot of cargo space. no access to the back from the front, but the doors are pretty solid.
  4. she handles about the same as the metris, and the mirrors/camera are both quality. slightly better in winter due to higher weight. 
  5. it's kinda fun being that high off the ground.

 

ethan's van

(i don't have a photo of the outside of this one but here's the inside)

there was a carrier at my office who used a specific van that there was only one of. more of a minivan than off the ground, i believe it was a ram of some sort. he asked me out one time which was weird, but he was otherwise a very friendly guy. his van though... oh boy...

  1. it does have ac/heat, but no sound system. it's pretty quiet, but the particularly silly thing is that the door doesn't properly close so it is always wet on the inside when it rains. and yup, i pretty much always was driving it in the rain.  
  2. i never delivered mail in it, but i did do SPRs and it kind of sucked. no mail tray to speak of, just a second seat. it's left hand drive as well. you have to get out for every SPR. horrible. 
  3. dismounts aren't too bad, but the door is really insufferable. it was always broken. it even got fixed once and broke again. cargo space is lackluster, and there's no access between compartments. ultimately fine, but not great for anything tricky.
  4. it's just a car. normal car stuff. works fine.
  5. horrible horrible air freshener smell.


those big city ones

 

i can't for the life of me figure out what these are called, and we don't have them in my hometown. no clue what they're like to drive. seems scary. 


self-provided vehicle

(i trust you can imagine a normal car. subaru and jeep are common brand choices.) 

i am very very grateful i was never forced to drive my own car for mail delivery. it's absurd this is technically part of the job description, and the worst routes are often the ones where the carrier has to supply their own vehicle i imagine delivering like that would absolutely suck. 

 

conclusions

and with that i have given you my opinion on every postal vehicle. have fun knowing more whenever you see one on the street. postal chronicles will return at some point.

Tuesday, January 20, 2026

elvis & his pet cloud

another internet research rabbit-hole for you! this one was sparked by the professor of my creative writing class, who read us the following poem:


Elvis Moving a Small Cloud: The Desert Near Las Vegas, 1976

David Wojahn

after the painting by Susan Baker

“Stop this motherfucking limo,” says the King,
And the Caddie, halting, raises fins of dust
Into a landscape made of creosote,
Lizards, dismembered tires. The King’s been reading again -

Mind Over Matter: Yogic Texts
On Spiritual Renewal by Doctor Krishna
Majunukta, A Guide on How to Tap the
Boundless Mental Powers of the Ancients
.

Bodyguards and hangers-on pile out.
His highness, shades off, scans the east horizon.
“Boys, today I’m gonna show you somethin’
You can tell your grandchildren about.”

He aims a finger at Nevada’s only cloud.
“Lo! Behold! Now watch that fucker move!”


it's a nice poem, and it's got a quality image to it with a bit of humor. the professor said that despite looking it up he was unable to find a picture of the painting. he joked that if anyone managed to find it, they would get an A and not have to come to class for the rest of the semester. now i want to go to class, it's likely my favorite i'm taking at the moment, but i also couldn't resist the challenge.

i began in the straightforward way, trying to find copies of the poem. it barely exists online, but i found it in a couple places, one of them being some random person's blog from 2013 with a dead image. using wayback machine i discovered the image is sadly just a photo of elvis. of course it couldn't be that easy. the comments section illustrates how those who trod this path before me have failed:


astute readers will note that that comment was posted earlier this year, doubtless by another student of the same professor. my journey continues, and having failed to find my quarry through the poet, the poem, or elvis, i resort to the remaining piece of information left to me: susan baker.

annoyingly, susan baker is a very common name. i search susan baker in any combination of the poet, elvis, vegas, nevada, anything that might get me closer. i come up empty handed. i am beginning to think this is the end of the path, but then i realize i can do something unthinkable: contact the poet.

so i find his website, look at his contact info, and send an email. i expect to wait a while, or maybe not even hear anything, but he writes back the next day. below is his email. 

 

his point about writing from an image is probably good advice, and something i find applicable to me, but it's not what i'm looking for. however, he has given me a crucial piece of information: a place and time to find susan baker.

i search up "susan baker provincetown" and am immediately rewarded. my results include an interview with her, listings of her paintings for sale, a book for an exhibition about her early work, and the website of the center mentioned in the email. i comb through these results, but none of them seem to be the painting i'm looking for. i like her art though, and it's fun to see her evolution as an artist.

luckily, included in these results is the susan baker memorial museum. this tells me that she's dead, but it also gives me a very clear next place to contact. i email them.

it's been a few months now and i haven't heard back. i imagine i won't. if by some miracle i do, you'll be the first to know.